Костюм театру Кабукі: історія розвитку, типологія, символіка
The costumes in Kabuki plays have no less meaning than actors’ mastery. Actors there had been considered as arbiters in fashion matters. The “Sodo” school (that of putting kimono on) has its source at actors’ practice to change the clothing in the presence of audience.
Gespeichert in:
| Datum: | 2008 |
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| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | Ukrainian |
| Veröffentlicht: |
Інститут народознавства НАН України
2008
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| Schlagworte: | |
| Online Zugang: | http://dspace.nbuv.gov.ua/handle/123456789/16753 |
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| Назва журналу: | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| Zitieren: | Костюм театру Кабукі: історія розвитку, типологія, символіка / С. Рибалко // Мистецтвознавство: Зб. наук. пр. — Львів, 2008. — С. 107-116. — Бібліогр.: 15 назв. — укр. |
Institution
Digital Library of Periodicals of National Academy of Sciences of Ukraine| Zusammenfassung: | The costumes in Kabuki plays have no less meaning than actors’ mastery. Actors there had been considered as arbiters in fashion matters. The “Sodo” school (that of putting kimono on) has its source at actors’ practice to change the clothing in the presence of audience. |
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