Лялька і обряд

The first part of this article is devoted to different forms of ritual folklore and the use of a doll in the traditional culture of the Balkan Slavs. Together with a doll which was used in the funeral rituals as a substitute for the third dead, if a family lost more than one its member (a doll was h...

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Збережено в:
Бібліографічні деталі
Дата:2012
Автор: Пешикан-Люштанович, Л.
Формат: Стаття
Мова:Ukrainian
Опубліковано: Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України 2012
Назва видання:Народна творчість та етнологія
Теми:
Онлайн доступ:http://dspace.nbuv.gov.ua/handle/123456789/201542
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Назва журналу:Digital Library of Periodicals of National Academy of Sciences of Ukraine
Цитувати:Лялька і обряд / Л. Пешикан-Люштанович // Народна творчість та етнологія. — 2012. — № 2. — C. 78-79. — укр.

Репозитарії

Digital Library of Periodicals of National Academy of Sciences of Ukraine
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Резюме:The first part of this article is devoted to different forms of ritual folklore and the use of a doll in the traditional culture of the Balkan Slavs. Together with a doll which was used in the funeral rituals as a substitute for the third dead, if a family lost more than one its member (a doll was hidden in the ground), and the dolls which are used in the ceremonies in order to attract the rain or the harvest, we also look at the masks in the harvest rites. Those masks are considered to be alive dolls at the hands of the person who puts the mask on. The dead wolf is also considered to be a doll (vuchyna), if he is brought by the hunters, who are on his behalf asking for money and food as the price for future protection. The second part of the article analyzes how this ritual practice of the 19th – first half of the 20th century is reflected in contemporary Serbian theatre and particularly in the puppet play «The Myths of the Balkans» (by Slavolyub Stankovych), which received many awards.