Хронотоп та жанрова специфіка дилогії «Шлях невідомого» і «Дім над кручею» Ігоря Качуровського

The article deals with the chronotop of dilogy «The road of the unknown» and «The house on the steep bank» by I. Kachurovsky as a factor of the artistic unity of the work and genre specificity. The core of «The road of the unknown» is a chronotop of the road on which various meetings are waiting for...

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Bibliographic Details
Date:2010
Main Author: Жигун, С.
Format: Article
Language:Ukrainian
Published: Інститут літератури ім. Т.Г. Шевченка НАН України 2010
Series:Літературознавчі обрії. Праці молодих учених
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Online Access:http://dspace.nbuv.gov.ua/handle/123456789/38431
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Journal Title:Digital Library of Periodicals of National Academy of Sciences of Ukraine
Cite this:Хронотоп та жанрова специфіка дилогії «Шлях невідомого» і «Дім над кручею» Ігоря Качуровського / С. Жигун // Літературознавчі обрії. Праці молодих учених. — 2010. — Вип. 18. — С. 134-139. — Бібліогр.: 10 назв. — укр.

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Digital Library of Periodicals of National Academy of Sciences of Ukraine
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Summary:The article deals with the chronotop of dilogy «The road of the unknown» and «The house on the steep bank» by I. Kachurovsky as a factor of the artistic unity of the work and genre specificity. The core of «The road of the unknown» is a chronotop of the road on which various meetings are waiting for the hero during his travel to the native land. Linear adventurous time predominates. But in «The house on the steep bank» this type of time interlaces with the cyclic idyllic time. The volume of chronotop, its ability to incorporate the smaller chronotops, establish complicated relations between them and some other characteristics make it possible to determine the genre of the dilogy as a novel in short stories, and genre variety – as an adventurous-intellectual one.