Кубанська музична фольклористика: етапи становлення
On the basis of materials related to the history of the Ukrainians in Kuban (of 1792) the author determines that priests, historians, ethnographers, students of local lore, regents, choirmasters, teachers and poets were at the beginnings of Kuban musical study of folklore. The formation of Kuban mus...
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| Date: | 2007 |
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| Main Author: | |
| Format: | Article |
| Language: | Ukrainian |
| Published: |
Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України
2007
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| Series: | Народна творчість та етнографія |
| Subjects: | |
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| Journal Title: | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| Cite this: | Кубанська музична фольклористика: етапи становлення / Н. Супрун-Яремко // Народна творчість та етнографія. — 2007. — №. 5. — С. 11-18. — Бібліогр.: 38 назв. — укр. |
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Digital Library of Periodicals of National Academy of Sciences of Ukraine| Summary: | On the basis of materials related to the history of the Ukrainians in Kuban (of 1792) the author determines that priests, historians, ethnographers, students of local lore, regents, choirmasters, teachers and poets were at the beginnings of Kuban musical study of folklore. The formation of Kuban musical folklore had 3 stages: concert and representational stage (of 1818), stage of collection (of 1865), transcriptional and publishing stage. Bihday, Kontsevych, Zakharchenko and Koshyts made the most considerable contribution in development of this science. The author of the article gives detailed information about their biographies. |
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