Musical Symbolism of Ihor Sonevytskyi in Solo-Songs in Praise of the Mother of God from the Cycle Canti Spirituali
Saved in:
Date: | 2015 |
---|---|
Main Author: | I. Sheremeta |
Format: | Article |
Language: | English |
Published: |
2015
|
Series: | Researches of Fine Arts |
Online Access: | http://jnas.nbuv.gov.ua/article/UJRN-0000466606 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Journal Title: | Library portal of National Academy of Sciences of Ukraine | LibNAS |
Institution
Library portal of National Academy of Sciences of Ukraine | LibNASSimilar Items
-
Syrotynska N. Valuable Pearl: Musical and Poetic World of the Hymnography in Praise of the Mother of God. – Lviv, Tetiuk T. V., 2014. – 334 pp.
by: L. Kyianovska
Published: (2015) -
Solo-Songs of Ukrainian Diaspora Composers to Maksym Rylskyi's Texts through the Lens of the Word and Music Synthesis
by: H. Karas
Published: (2020) -
Mother of God from Khodosivka
by: I. A. Hotun, et al.
Published: (2019) -
Reconstruction of Mother of the Gods Depiction from Olbia
by: T. M. Shevchenko
Published: (2014) -
Ohionim of the Mother of God in poetic discourse of Taras Shevchenko
by: M. I. Stepanenko
Published: (2020)