Мільман Перрі, Альберт-Бейтс Лорд та Джон-Майлс Фоули: що нам робити з ними
Formulae of the South Slavic oral epic songs can be divided into three categories: 1) the true formulas, which are the oldest syntactic patterns that connect epics with other oral literary genres as well as connect the different layers within one and the same genre; 2) the rudimentary formulas which...
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| Datum: | 2012 |
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| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | Ukrainian |
| Veröffentlicht: |
Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України
2012
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| Schriftenreihe: | Народна творчість та етнологія |
| Schlagworte: | |
| Online Zugang: | http://dspace.nbuv.gov.ua/handle/123456789/201538 |
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| Назва журналу: | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| Zitieren: | Мільман Перрі, Альберт-Бейтс Лорд та Джон-Майлс Фоули: що нам робити з ними / М. Детелич // Народна творчість та етнологія. — 2012. — № 2. — C. 59-63. — Бібліогр.: 26 назв. — укр. |
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Digital Library of Periodicals of National Academy of Sciences of Ukraine| Zusammenfassung: | Formulae of the South Slavic oral epic songs can be divided into three categories: 1) the true formulas, which are the oldest syntactic patterns that connect epics with other oral literary genres as well as connect the different layers within one and the same genre; 2) the rudimentary formulas which are in fact common places as white throat (even in an Arab), white dawn/day, green sword, etc. similar to the Homeric formulae; 3) formulae in the making, named by J.-M. Foley as «generic formulas», meaning by that moveable and changeable strings of words that can easily fit the asymmetric epic decasyllable verse (4+6). Within a given epic body all three types of formulae can exist at the same time, so it is often possible to track the development of a formula from a string of words to its full, closed form. |
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